Khosrow-nameh
Attribution note: In his critical edition of Attar’s Mukhtar-nameh, Dr Muhammad Riza Shafi‘i Kadkani devotes twenty-six pages to evidence that Khosrow-nameh was not written by Attar. It is likely that Khosrow-nameh was instead the original title of another genuine work by Attar, now known as Ilahi-nameh.
The principal objections are historical, literary, and stylistic. The preface to Mukhtar-nameh describes Khosrow-nameh as an earlier work, yet the preface to Khosrow-nameh itself contains inconsistencies that cast doubt on its authenticity. Its subject also differs sharply from Attar’s other writing: it is a romance rather than a Sufi poem. Its mystical ideas resemble those of Ibn Arabi, ideas that became current only after Attar’s lifetime and are not otherwise characteristic of him. Confusion may also have arisen because some manuscripts of Ilahi-nameh circulated under the title Khosrow-nameh. Modern scholars, including Abd al-Husayn Zarrinkub, have rejected the attribution on stylistic and thematic grounds. Finally, no reliable manuscript of Khosrow-nameh appears to predate the fifteenth century, whereas earlier manuscripts of Attar’s established works do survive.
بخش 51رفتن خسرو بدریا بطلب گل
بخش 52از سر گرفتن قصّه
بخش 53رسیدن خسرو و جهان افروز و یاران بكوه رخام و دیدن پیر نصیحت گو
بخش 54وداع هرمز پیر را و رفتنش بجانب روم
بخش 55آگاهی یافتن قیصر از آمدن خسرو
بخش 56از سر گرفتن قصّه
بخش 57آگاهی یافتن خسرو از گل
بخش 58از سر گرفتن قصه
بخش 59آغاز نامۀ گل بخسرو
بخش 60در صفت موی
بخش 61رسیدن نامۀ گل بخسرو
بخش 62آمدن فرّخ بترکستان بطلب گل
بخش 63آگاهی یافتن شاپور از آمدن فرّخ و گلرخ و گرفتاری گل و گریختن فرّخ
بخش 64نامهٔ خسرو به شاپور
بخش 65رزم خسرو با شاپور
بخش 66رسیدن خسرو و گل با هم و رفتن به روم
بخش 67باز رفتن بسر قصّه
بخش 68از سر گرفتن قصّه
بخش 69سپری شدن کار خسرو
بخش 70در وفات قیصر و پادشاهی جهانگیر
بخش 71در خاتمت کتاب گوید
Poetic form
Poetic Forms
Metre

