The story of the person who knocked at a friend's door: his friend from within asked who he was: he said, “’Tis I,” and the friend answered, “Since thou art thou, I will not open the door: I know not any friend that is ‘I.’”

بخش 144 - قصه آنکس کی در یاری بکوفت از درون گفت کیست آن گفت منم گفت چون تو توی در نمی‌گشایم هیچ کس را از یاران نمی‌شناسم کی او من باشد برو

Poet: Rumi

Metre: فاعلاتن فاعلاتن فاعلن (رمل مسدس محذوف یا وزن مثنوی)

Poetic form: Masnavi

English translation: Nicholson
Toggle stanza 1
آن یکی آمد در یاری بزد
1
آن یکی آمد در یاری بزد
گفت یارش کیستی ای معتمد

A certain man came and knocked at a friend's door: his friend asked him, “Who art thou, O trusty one?”

2
گفت من، گفتش برو هنگام نیست
بر چنین خوانی مقام خام نیست

He answered, “I.” The friend said, “Begone, ’tis not the time (for thee to come in): at a table like this there is no place for the raw.”

3
خام را جز آتش هجر و فراق
کی پزد کی وا رهاند از نفاق

Save the fire of absence and separation, who (what) will cook the raw one? Who (what) will deliver him from hypocrisy?

4
رفت آن مسکین و سالی در سفر
در فراق دوست سوزید از شرر

The wretched man went away, and for a year in travel (and) in separation from his friend he was burned with sparks of fire.

5
پخته گشت آن سوخته پس باز گشت
باز گرد خانهٔ همباز گشت

That burned one was cooked: then he returned and again paced to and fro beside the house of his comrade.

6
حلقه زد بر در به صد ترس و ادب
تا بنجهد بی‌ادب لفظی ز لب

He knocked at the door with a hundred fears and respects, lest any disrespectful word might escape from his lips.

7
بانگ زد یارش که بر در کیست آن
گفت بر در هم توی ای دلستان

His friend called to him, “Who is at the door?” He answered, “’Tis thou art at the door, O charmer of hearts.”

8
گفت اکنون چون منی ای من در آ
نیست گنجایی دو من را در سرا

“Now,” said the friend, “since thou art I, come in, O myself: there is not room in the house for two I's.

9
نیست سوزن را سر رشتهٔ دوتا
چونک یکتایی درین سوزن در آ

The double end of thread is not for the needle: inasmuch as thou art single, come into this needle.”

10
رشته را با سوزن آمد ارتباط
نیست در خور با جمل سم الخیاط

’Tis the thread that is connected with the needle: the eye of the needle is not suitable for the camel.

11
کی شود باریک هستی جمل
جز به مقراضِ ریاضات و عمل

How should the existence (body) of the camel be fined down save by the shears of ascetic exercises and works?

12
دست حق باید مر آن را ای فلان
کو بود بر هر محالی کن فکان

For that, O reader, the hand (power) of God is necessary, for it is the Be, and it was (bringer into existence) of every (seemingly) impossible thing.

13
هر محال از دست او ممکن شود
هر حرون از بیم او ساکن شود

By His hand every impossible thing is made possible; by fear of Him every unruly one is made quiet.

14
اکمه و ابرص چه باشد مرده نیز
زنده گردد از فسون آن عزیز

What of the man blind from birth and the leper? Even the dead is made living by the spell of the Almighty,

15
و آن عدم کز مرده مرده‌تر بود
در کف ایجاد او مضطر بود

And that non-existence which is more dead than the dead— non-existence is compelled (to obey) when He calls it into being.

16
کل یوم هو فی شان بخوان
مر ورا بی کار و بی‌فعلی مدان

Recite (the text), Every day He is (engaged) in some affair: do not deem Him idle and inactive.

17
کمترین کاریش هر روزست آن
کو سه لشکر را کند این سو روان

His least act, every day, is that He despatches three armies:

18
لشکری ز اصلاب سوی امهات
بهر آن تا در رحم روید نبات

One army from the loins (of the fathers) towards the mothers, in order that the plant may grow in the womb;

19
لشکری ز ارحام سوی خاکدان
تا ز نر و ماده پر گردد جهان

One army from the wombs to the Earth, that the world may be filled with male and female;

20
لشکری از خاکدان سوی اجل
تا ببیند هر کسی حسن عمل

One army from the Earth (to what is) beyond death, that every one may behold the beauty of (good) works.

21
این سخن پایان ندارد هین بتاز
سوی آن دو یار پاک پاک‌باز

This discourse hath no end. Come, hasten (back) to those two sincere and devoted friends.

22
گفت یارش کاندر آ ای جمله من
نی مخالف چون گل و خار چمن

His friend said to him, “Come in, O thou who art entirely myself, not different like the rose and thorn in the garden.”

23
رشته یکتا شد غلط کم شد کنون
گر دوتا بینی حروف کاف و نون

The thread has become single. Do not now fall into error if thou seest that the letters K and N are two.’

24
کاف و نون همچون کمند آمد جذوب
تا کشاند مر عدم را در خطوب

K and N are pulling like a noose, that they may draw non-existence into great affairs.

25
پس دوتا باید کمند اندر صور
گرچه یکتا باشد آن دو در اثر

Hence the noose must be double in (the world of) forms, though those two (letters) are single in effect.

26
گر دو پا گر چار پا ره را برد
همچو مقراض دو تا یکتا برد

Whether the feet be two or four, they traverse one road, like the double shears (which) makes (but) one cut.

27
آن دو همبازان گازر را ببین
هست در ظاهر خلافی زان و زین

Look at those two fellow-washermen: there is apparently a difference between that one and this:

28
آن یکی کرباس را در آب زد
وان دگر همباز خشکش می‌کند

The one has thrown the cotton garments into the water, while the other partner is drying them.

29
باز او آن خشک را تر می‌کند
گوییا ز استیزه ضد بر می‌تند

Again the former makes the dry clothes wet: ’tis as though he were spitefully thwarting his opposite;

30
لیک این دو ضد استیزه‌نما
یک‌دل و یک‌کار باشد در رضا

Yet these two opposites, who seem to be at strife, are of one mind and acting together in agreement.

31
هر نبی و هر ولی را مسلکیست
لیک تا حق می‌برد جمله یکیست

Every prophet and every saint hath a way (of religious doctrine and practice), but it leads to God: all (the ways) are (really) one.

32
چونک جمع مستمع را خواب برد
سنگهای آسیا را آب برد

When slumber (heedlessness) overtook the concentration (attention) of the listener, the water carried the millstones away.

33
رفتن این آب فوق آسیاست
رفتنش در آسیا بهر شماست

The course of this water is above the mill: its going into the mill is for your sakes.

34
چون شما را حاجت طاحون نماند
آب را در جوی اصلی باز راند

Since ye had no further need of the mill, he (the prophet or saint) made the water flow back into the original stream.

35
ناطقه سوی دهان تعلیم راست
ورنه خود آن نطق را جویی جداست

The rational spirit (the Logos) is (coming) to the mouth for the purpose of teaching: else (it would not come, for) truly that speech hath a channel apart:

36
می‌رود بی بانگ و بی تکرارها
تحتها الانهار تا گلزارها

It is moving without noise and without repetitions (of sound) to the rose-gardens beneath which are the rivers.

37
ای خدا جان را تو بنما آن مقام
کاندرو بی‌حرف می‌روید کلام

O God, do Thou reveal to the soul that place where speech is growing without letters,

38
تا که سازد جان پاک از سر قدم
سوی عرصهٔ دور و پهنای عدم

That the pure soul may make of its head a foot (fly headlong) towards the far stretching expanse of non-existence—

39
عرصه‌ای بس با گشاد و با فضا
وین خیال و هست یابد زو نوا

An expanse very ample and spacious; and from it this phantasy and being (of ours) is fed.

40
تنگ‌تر آمد خیالات از عدم
زان سبب باشد خیال اسباب غم

(The realm of) phantasies is narrower than non-existence (potential existence): on that account phantasy is the cause of pain.

41
باز هستی تنگ‌تر بود از خیال
زان شود در وی قمر همچون هلال

(The realm of actual) existence, again, was (ever) narrower than (the realm of) phantasy: hence in it moons become like the moon that has waned.

42
باز هستی جهان حس و رنگ
تنگ‌تر آمد که زندانیست تنگ

Again, the existence of the world of sense and colour is narrower (than this), for ’tis a narrow prison.

43
علت تنگیست ترکیب و عدد
جانب ترکیب حسها می‌کشد

The cause of narrowness is composition (compoundness) and number (plurality): the senses are moving towards composition.

44
زان سوی حس عالم توحید دان
گر یکی خواهی بدان جانب بران

Know that the world of Unification lies beyond sense: if you want Unity, march in that direction.

45
امرِ کن یک فعل بود و نون و کاف
در سخن افتاد و معنی بود صاف

The (Divine) Command KuN (Be) was a single act, and the (two letters) N and K occurred (only) in speech, while the (inward) meaning was pure (uncompounded).

46
این سخن پایان ندارد باز گرد
تا چه شد احوال گرگ اندر نبرد

This discourse hath no end. Return, that (we may see) what happened to the wolf in combat (with the lion).

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Sources

Persian text source: Ganjoor

Audio source: Ganjoor